The deadline for submission is fast approaching but thought I'd throw this
out there in case anyone was interested.
Here is a sample of last years gallery:
http://www.siggraph.org/s2007/attendees/art/wall.html
- Karl
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Slow Art
http://www.siggraph.org/s2008/submissions/juried/slowart/
In our digital culture, we can task simultaneously, message instantly, and
prototype rapidly, but, in doing so, do we create an oasis for
contemplation, or do we fuel a hunger for yet more speed? As technology
colors all aspects of our world, we see the inevitable pendular response in
campaigns that advocate slowness.
The Italian membership organization Cittaslow's manifesto defines criteria
for slow cities, focusing on improved quality of life. Internationally,
people are organizing to protect regional food systems, traditions, and
cuisine as part of the Slow Food Movement. There is a return to artisanship,
and a renewed focus on the local, as opposed to the global.
Throughout time, artists have pioneered the important task of illustrating
and preserving humanity. For the SIGGRAPH 2008 art program, we are seeking
art and investigations that address our overarching conference themes
(Complexity and Accessibility, Future History, Global Responsibility, Impact
on Society, and Professional Development and Education) through the filter
of Slowness. Some questions we hope to explore are:
* In which ways do new media artists employ the tools of speed to address
the issue of slowness?
* How does the speed afforded by technology affect the work we make?
* With the rapid changes in new media, how will these artworks be preserved,
and do questions of legacy affect the creative process?
* How can new media art assist in the preservation of cultural diversity?
All submissions will be juried. International works are highly encouraged.
All forms of digitally mediated work are eligible, as well as works made in
traditional media that comment on technology. Selections will be made
according to the following criteria: relevance to the SIGGRAPH 2008 themes,
creative use of media, depth of critical exploration, and quality of
accompanying artist statement.
Our final exhibition will be a gallery at SIGGRAPH 2008, smaller than in
past years. In addition, there will be an exhibition of curated artworks.
Through both of these exhibits, we hope to showcase the strongest examples
of current new media work.
SIGGRAPH 2008 Slow Art
Lina Yamaguchi
Stanford University